New Johannus Opus 260 and Opus 360

The Johannus Opus 260 is the latest generation of organs within the trusted Opus series. Worldwide, Opus has been a household name for many years among organists inspired by compact organs with beautiful warm sounds. New in this Opus generation is the convolution reverb and the pioneering style-variable disposition with pipe organ voices from the well-known organs in Kampen, Amsterdam, Raalte, Paris and Dresden. With a powerful 4.1 speaker system and all built into a wooden cabinet, the Opus once again proves to be a masterpiece of yesteryear that will delight any organist!

This model concerns the light oak version. The Opus organs are available in 6 colours.

More features about the Johannus Opus 260

The Opus 260 is equipped with two manuals and an extensive disposition of 36 voices, divided over four organ styles. If desired, the Opus is also available in the Opus 360 variant with three manuals. The organ features four different sound characters based on historic organs, e.g. the romantic sound style exclusively uses voices from the Vater-Müller organ of the Oude Kerk in Amsterdam and the symphonic style features sounds from the Adema organ in Raalte combined with voices from the Cavaillé-Coll from Paris. The historical style features samples from the Hinsz organ in Kampen, and finally, the Baroque style is based on the sounds of the Silbermann organ from the Hofkirche in Dresden. Some stops have double names and this is called style-variable disposition. To do best justice to each voice and each style, the best composition was considered for each style.

With the new convolution reverb, the organ has very realistic reverb options, with 12 different programmes to choose from.

New technology in the Opus models

Technological developments follow each other in rapid succession and this is also taken into account in the latest organs. The new Opus series features OrangeCore+ technology, which guarantees fast start-up times, excellent sound quality and long-term reliability. With a new convolution reverb, the reverb options have been further expanded. This reverb features a very realistic reverb, with a choice of 12 different programmes. As a final addition, there is a also a new digital mixer that creates an optimal sound experience, which will be experienced both through the built-in audio system and with headphones!

Solo voices and Ambiance option

And after all the above news, the Opus has two more important features that are definitely worth mentioning! First are the two solo voices that can be used as an extra dimension. The warm sound of a pan flute or the powerful trumpet are nice additions to your organ playing.

Furthermore, the Ambiance option also enriches the Opus series. Regardless of which reverb is chosen, this provides the option to select the location of the listening position in the church. Thus, it can sound as if you have taken your seat behind the console of one of the famous organs but also as if you are in the middle or back of the church!

The Johannus Opus 360 is the latest generation of organs within the trusted Opus series. Worldwide, Opus has been a household name for many years among organists inspired by compact organs with beautiful warm sounds. New in this Opus generation is the convolution reverb and the pioneering style-variable disposition with pipe organ voices from the well-known organs in Kampen, Amsterdam, Raalte, Paris and Dresden. With a powerful 4.1 speaker system and all built into a wooden cabinet, the Opus once again proves to be a masterpiece of yesteryear that will delight any organist!

This model concerns the light oak version. The Opus organs are available in 6 colours.

More features about the Johannus Opus 360

The Opus 360 is equipped with two manuals and an extensive disposition of 36 voices, divided over four organ styles. If desired, the Opus is also available in the Opus 260 variant with two manuals. The organ features four different sound characters based on historic organs, e.g. the romantic sound style exclusively uses voices from the Vater-Müller organ of the Oude Kerk in Amsterdam and the symphonic style features sounds from the Adema organ in Raalte combined with voices from the Cavaillé-Coll from Paris. The historical style features samples from the Hinsz organ in Kampen, and finally, the Baroque style is based on the sounds of the Silbermann organ from the Hofkirche in Dresden. Some stops have double names and this is called style-variable disposition. To do best justice to each voice and each style, the best composition was considered for each style.

With the new convolution reverb, the organ has very realistic reverb options, with 12 different programmes to choose from.

New technology in the Opus models

Technological developments follow each other in rapid succession and this is also taken into account in the latest organs. The new Opus series features OrangeCore+ technology, which guarantees fast start-up times, excellent sound quality and long-term reliability. With a new convolution reverb, the reverb options have been further expanded. This reverb features a very realistic reverb, with a choice of 12 different programmes. As a final addition, there is a also a new digital mixer that creates an optimal sound experience, which will be experienced both through the built-in audio system and with headphones!

Solo voices and Ambiance option

And after all the above news, the Opus has two more important features that are definitely worth mentioning! First are the two solo voices that can be used as an extra dimension. The warm sound of a pan flute or the powerful trumpet are nice additions to your organ playing.

Furthermore, the Ambiance option also enriches the Opus series. Regardless of which reverb is chosen, this provides the option to select the location of the listening position in the church. Thus, it can sound as if you have taken your seat behind the console of one of the famous organs but also as if you are in the middle or back of the church!

The Johannus Opus 260 is the latest generation of organs within the trusted Opus series. Worldwide, Opus has been a household name for many years among organists inspired by compact organs with beautiful warm sounds. New in this Opus generation is the convolution reverb and the pioneering style-variable disposition with pipe organ voices from the well-known organs in Kampen, Amsterdam, Raalte, Paris and Dresden. With a powerful 4.1 speaker system and all built into a wooden cabinet, the Opus once again proves to be a masterpiece of yesteryear that will delight any organist!

This model concerns the black version. The Opus organs are available in 6 colours.

More features about the Johannus Opus 260

The Opus 260 is equipped with two manuals and an extensive disposition of 36 voices, divided over four organ styles. If desired, the Opus is also available in the Opus 360 variant with three manuals. The organ features four different sound characters based on historic organs, e.g. the romantic sound style exclusively uses voices from the Vater-Müller organ of the Oude Kerk in Amsterdam and the symphonic style features sounds from the Adema organ in Raalte combined with voices from the Cavaillé-Coll from Paris. The historical style features samples from the Hinsz organ in Kampen, and finally, the Baroque style is based on the sounds of the Silbermann organ from the Hofkirche in Dresden. Some stops have double names and this is called style-variable disposition. To do best justice to each voice and each style, the best composition was considered for each style.

With the new convolution reverb, the organ has very realistic reverb options, with 12 different programmes to choose from.

New technology in the Opus models

Technological developments follow each other in rapid succession and this is also taken into account in the latest organs. The new Opus series features OrangeCore+ technology, which guarantees fast start-up times, excellent sound quality and long-term reliability. With a new convolution reverb, the reverb options have been further expanded. This reverb features a very realistic reverb, with a choice of 12 different programmes. As a final addition, there is a also a new digital mixer that creates an optimal sound experience, which will be experienced both through the built-in audio system and with headphones!

Solo voices and Ambiance option

And after all the above news, the Opus has two more important features that are definitely worth mentioning! First are the two solo voices that can be used as an extra dimension. The warm sound of a pan flute or the powerful trumpet are nice additions to your organ playing.

Furthermore, the Ambiance option also enriches the Opus series. Regardless of which reverb is chosen, this provides the option to select the location of the listening position in the church. Thus, it can sound as if you have taken your seat behind the console of one of the famous organs but also as if you are in the middle or back of the church!

The Johannus Opus 360 is the latest generation of organs within the trusted Opus series. Worldwide, Opus has been a household name for many years among organists inspired by compact organs with beautiful warm sounds. New in this Opus generation is the convolution reverb and the pioneering style-variable disposition with pipe organ voices from the well-known organs in Kampen, Amsterdam, Raalte, Paris and Dresden. With a powerful 4.1 speaker system and all built into a wooden cabinet, the Opus once again proves to be a masterpiece of yesteryear that will delight any organist!

This model concerns the black version. The Opus organs are available in 6 colours.

More features about the Johannus Opus 360

The Opus 360 is equipped with two manuals and an extensive disposition of 36 voices, divided over four organ styles. If desired, the Opus is also available in the Opus 260 variant with two manuals. The organ features four different sound characters based on historic organs, e.g. the romantic sound style exclusively uses voices from the Vater-Müller organ of the Oude Kerk in Amsterdam and the symphonic style features sounds from the Adema organ in Raalte combined with voices from the Cavaillé-Coll from Paris. The historical style features samples from the Hinsz organ in Kampen, and finally, the Baroque style is based on the sounds of the Silbermann organ from the Hofkirche in Dresden. Some stops have double names and this is called style-variable disposition. To do best justice to each voice and each style, the best composition was considered for each style.

With the new convolution reverb, the organ has very realistic reverb options, with 12 different programmes to choose from.

New technology in the Opus models

Technological developments follow each other in rapid succession and this is also taken into account in the latest organs. The new Opus series features OrangeCore+ technology, which guarantees fast start-up times, excellent sound quality and long-term reliability. With a new convolution reverb, the reverb options have been further expanded. This reverb features a very realistic reverb, with a choice of 12 different programmes. As a final addition, there is a also a new digital mixer that creates an optimal sound experience, which will be experienced both through the built-in audio system and with headphones!

Solo voices and Ambiance option

And after all the above news, the Opus has two more important features that are definitely worth mentioning! First are the two solo voices that can be used as an extra dimension. The warm sound of a pan flute or the powerful trumpet are nice additions to your organ playing.

Furthermore, the Ambiance option also enriches the Opus series. Regardless of which reverb is chosen, this provides the option to select the location of the listening position in the church. Thus, it can sound as if you have taken your seat behind the console of one of the famous organs but also as if you are in the middle or back of the church!

The familiar Opus sound also for the church or chapel? This is possible with the Johannus Opus Choir 260! This new model within the Opus Family is equipped with two manuals and 36 registers. The Opus Choir models are specially built to accompany singing in smaller rooms of up to approximately 150 people. By utilizing samples from authentic pipe organs, the entire space becomes enveloped in sound. The Opus Choir furniture is equipped with a roll top as standard so that the organ can be neatly closed when not in use and the color is adjustable so that the organ blends seamlessly into the style of the room.

The audio in the Johannus Opus Choir 260

Every room is unique and that requires a different approach to audio systems, which is why the Opus Choir is available in two versions. This internal version is equipped with a 4.1 audio system placed in the back wall of the organ. This organ is also available in an external version where the speakers are placed in the room. Our specialists can of course advise what will be the best solution in your space.

The sound styles of the Opus Choir 260

The organ features four different sound characters based on historic organs, for example, the Romantic sound style exclusively uses voices from the Vater-Müller organ of the Oude Kerk in Amsterdam and the symphonic style features sounds from the Adema organ in Raalte combined with voices from the Cavaillé-Coll from Paris. The historical style features samples from the Hinsz organ in Kampen, and finally, the Baroque style is based on the sounds of the Silbermann organ from the Hofkirche in Dresden. Some stops have dual designations and this is called style-variable disposition. To do best justice to each voice and each style, the best composition was considered for each style.

With the new convolution reverb, the organ has very realistic reverb options, with 12 different programmes to choose from. In case the room where the organ is placed does not have the desired acoustics, reverb can be added. With the new convolution reverb, the organ has very realistic reverb options, with a choice of 12 different programmes.

New technology and ambience function

Technological developments follow each other in rapid succession and this is also taken into account in the latest organs. The new Opus series features the OranjeCore+ technology, which guarantees fast start-up times, excellent sound quality and long-term reliability. The reverb options have been further expanded with a new convolution reverb. As a final addition, there is also a new digital mixer that creates an optimal sound experience.

Furthermore, the Ambiance option is also an enrichment for the Opus series. Regardless of which reverb is selected, this provides the option to select the location of the listening position in the church. This way it can sound as if you are sitting behind the console of one of the famous organs, but also as if you are sitting in the middle or at the back of the church!

The familiar Opus sound also for the church or chapel? This is possible with the Johannus Opus Choir 360! This new model within the Opus Family is equipped with two manuals and 43 registers. The Opus Choir models are specially built to accompany singing in smaller rooms of up to approximately 150 people. By utilizing samples from authentic pipe organs, the entire space becomes enveloped in sound. The Opus Choir furniture is equipped with a roll top as standard so that the organ can be neatly closed when not in use and the color is adjustable so that the organ blends seamlessly into the style of the room.

The audio in the Johannus Opus Choir 360

Every room is unique and that requires a different approach to audio systems, which is why the Opus Choir is available in two versions. This internal version is equipped with a 4.1 audio system placed in the back wall of the organ. This organ is also available in an external version where the speakers are placed in the room. Our specialists can of course advise what will be the best solution in your space.

The sound styles of the Opus Choir 360

The organ features four different sound characters based on historic organs, for example, the Romantic sound style exclusively uses voices from the Vater-Müller organ of the Oude Kerk in Amsterdam and the symphonic style features sounds from the Adema organ in Raalte combined with voices from the Cavaillé-Coll from Paris. The historical style features samples from the Hinsz organ in Kampen, and finally, the Baroque style is based on the sounds of the Silbermann organ from the Hofkirche in Dresden. Some stops have dual designations and this is called style-variable disposition. To do best justice to each voice and each style, the best composition was considered for each style.

With the new convolution reverb, the organ has very realistic reverb options, with 12 different programmes to choose from. In case the room where the organ is placed does not have the desired acoustics, reverb can be added. With the new convolution reverb, the organ has very realistic reverb options, with a choice of 12 different programmes.

New technology and ambience function

Technological developments follow each other in rapid succession and this is also taken into account in the latest organs. The new Opus series features the OranjeCore+ technology, which guarantees fast start-up times, excellent sound quality and long-term reliability. The reverb options have been further expanded with a new convolution reverb. As a final addition, there is also a new digital mixer that creates an optimal sound experience.

Furthermore, the Ambiance option is also an enrichment for the Opus series. Regardless of which reverb is selected, this provides the option to select the location of the listening position in the church. This way it can sound as if you are sitting behind the console of one of the famous organs, but also as if you are sitting in the middle or at the back of the church!

The familiar Opus sound also for the church or chapel? This is possible with the Johannus Opus Choir 260! This new model within the Opus Family is equipped with two manuals and 36 registers. The Opus Choir models are specially built to accompany singing in smaller rooms of up to approximately 150 people. By utilizing samples from authentic pipe organs, the entire space becomes enveloped in sound. The Opus Choir furniture is equipped with a roll top as standard so that the organ can be neatly closed when not in use and the color is adjustable so that the organ blends seamlessly into the style of the room.

The audio in the Johannus Opus Choir 260

Every room is unique and that requires a different approach to audio systems, which is why the Opus Choir is available in two variants. This external version is equipped with a 4.1 audio system where the subwoofer is placed in the cabinet and four speakers will be installed in the room. This organ is also available in an internal version where the speakers are placed in the back wall of the organ. Our specialists can of course advise what the best solution will be in your space.

The sound styles of the Opus Choir 260

The organ features four different sound characters based on historic organs, for example, the Romantic sound style exclusively uses voices from the Vater-Müller organ of the Oude Kerk in Amsterdam and the symphonic style features sounds from the Adema organ in Raalte combined with voices from the Cavaillé-Coll from Paris. The historical style features samples from the Hinsz organ in Kampen, and finally, the Baroque style is based on the sounds of the Silbermann organ from the Hofkirche in Dresden. Some stops have dual designations and this is called style-variable disposition. To do best justice to each voice and each style, the best composition was considered for each style.

With the new convolution reverb, the organ has very realistic reverb options, with 12 different programmes to choose from. In case the room where the organ is placed does not have the desired acoustics, reverb can be added. With the new convolution reverb, the organ has very realistic reverb options, with a choice of 12 different programmes.

New technology and ambience function

Technological developments follow each other in rapid succession and this is also taken into account in the latest organs. The new Opus series features the OranjeCore+ technology, which guarantees fast start-up times, excellent sound quality and long-term reliability. The reverb options have been further expanded with a new convolution reverb. As a final addition, there is also a new digital mixer that creates an optimal sound experience.

Furthermore, the Ambiance option is also an enrichment for the Opus series. Regardless of which reverb is selected, this provides the option to select the location of the listening position in the church. This way it can sound as if you are sitting behind the console of one of the famous organs, but also as if you are sitting in the middle or at the back of the church!

The familiar Opus sound also for the church or chapel? This is possible with the Johannus Opus Choir 360! This new model within the Opus Family is equipped with two manuals and 36 registers. The Opus Choir models are specially built to accompany singing in smaller rooms of up to approximately 150 people. By utilizing samples from authentic pipe organs, the entire space becomes enveloped in sound. The Opus Choir furniture is equipped with a roll top as standard so that the organ can be neatly closed when not in use and the color is adjustable so that the organ blends seamlessly into the style of the room.

The audio in the Johannus Opus Choir 360

Every room is unique and that requires a different approach to audio systems, which is why the Opus Choir is available in two variants. This external version is equipped with a 4.1 audio system where the subwoofer is placed in the cabinet and four speakers will be installed in the room. This organ is also available in an internal version where the speakers are placed in the back wall of the organ. Our specialists can of course advise what the best solution will be in your space.

The sound styles of the Opus Choir 360

The organ features four different sound characters based on historic organs, for example, the Romantic sound style exclusively uses voices from the Vater-Müller organ of the Oude Kerk in Amsterdam and the symphonic style features sounds from the Adema organ in Raalte combined with voices from the Cavaillé-Coll from Paris. The historical style features samples from the Hinsz organ in Kampen, and finally, the Baroque style is based on the sounds of the Silbermann organ from the Hofkirche in Dresden. Some stops have dual designations and this is called style-variable disposition. To do best justice to each voice and each style, the best composition was considered for each style.

With the new convolution reverb, the organ has very realistic reverb options, with 12 different programmes to choose from. In case the room where the organ is placed does not have the desired acoustics, reverb can be added. With the new convolution reverb, the organ has very realistic reverb options, with a choice of 12 different programmes.

New technology and ambience function

Technological developments follow each other in rapid succession and this is also taken into account in the latest organs. The new Opus series features the OranjeCore+ technology, which guarantees fast start-up times, excellent sound quality and long-term reliability. The reverb options have been further expanded with a new convolution reverb. As a final addition, there is also a new digital mixer that creates an optimal sound experience.

Furthermore, the Ambiance option is also an enrichment for the Opus series. Regardless of which reverb is selected, this provides the option to select the location of the listening position in the church. This way it can sound as if you are sitting behind the console of one of the famous organs, but also as if you are sitting in the middle or at the back of the church!